The Nikon Ambassadors in this picture are some of the finest photographers in the world. In what is easily one of my proudest moments as a photographer, I have joined this elite and deeply talented group. To be among them is the honor of a lifetime.
There is no question that the D5 is a stunning piece of technology. The specs on the camera are convincing enough, but it wasn’t until I had the body in my hands that I realized how many possibilities were housed inside. After only a week, I’m certain it’s the camera I’ll use more than any other. Here’s why:
A few weeks ago I was introduced to a group of talented shooters whose work cries out to be more broadly seen and enjoyed. Every week, these photographers have the responsibility to capture subjects as varied as athletics, healthcare, corporate communications, and illustration. And their work is simply brilliant.
I used to believe that professional cameras were little more than a light-tight box. Unless someone needed a super-speedy motor drive, it always seemed like it was the quality of the lenses that mattered more than anything. I was mistaken. I now believe that the camera itself can contribute as much to the technical quality of a photograph as the best lenses—and more.
You never know how a day of photography is going to turn out. Some projects can be one challenge after another, while others proceed without a hitch. One thing you never expect is a day of photography that ends with someone almost dying.
When I started using Speedlights, I was hoping that I might be able to use them for some of my work without feeling like I was cheating my clients. A few months and many projects later, the only one I feel like I’ve been cheating is myself—for not ditching the studio gear more often. These days my Speedlights are getting a very regular workout and I feel pretty foolish for not looking into them years ago.