In order to capture the immense scale and curvaceous walls of the Walt Disney Concert Hall, the ideal lens would need to almost wrap around the building’s metal skin to fully show it’s beauty. In addition, the lens would have to be able to properly render the architecture without unwanted distortion or vignetting. And, of course, the lens must be razor sharp.
Brad Smith, the former director of photography at Sports Illustrated, says, “Photo shoot is Latin for “‘problem.’” Problems are relative, of course, but there is something about a photo shoot that seems to generate more than its fair share of hurdles to clear. Overcoming those problems can be one of the most satisfying parts of creating photographs—especially when you’re working with more than 70 of the world’s best athletes at the MLB All-Star Game.
Whether on skis, at the gym, or in the studio, Lindsey Vonn is hard-wired to work at the highest level. She’s an Olympic gold medalist, the women’s record holder for World Cup victories, and she is one of the most naturally beautiful women I’ve ever photographed.
Photography gets under your skin. It burrows itself into your soul and infects you for a lifetime. It chooses you. When you meet other people who also love photography, their energy is infectious and it’s deeply inspiring to be around. They understand your obsession. And they want to talk about the virus that’s infected us all.
One of the reasons to fear location photography is the terror you experience when you first see the space you have to work with. The sun may be in the wrong place, the site may be difficult to reach, or the room may be cramped. But, solving those challenges is also what can make location photography so deeply satisfying.
Football players are built differently than the rest of us. They’re taller, they’re wider, and some of them weigh as much as three cheerleaders. But what happens when you have to include 19 of these big men in the same frame for a Sports Illustrated magazine shoot?